剧情：西班牙先锋导演PerePortabella的代表作之一,这可不是波兰的华沙而是西班牙的"华沙"... http://www.pereportabella.com/ PerePortabella(b.1929,Barcelona)isaveteranSpanishfilmmakerwhosenarrativefeatures—richininterludes,plotdiversions,atmosphere,andunexpectedsynchroniesbetweensightandsound—limntheavant-gardeandexpandtheexpressivepotentialofcinema.Portabella,whobeganhiscinematic... (展开全部) 西班牙先锋导演PerePortabella的代表作之一,这可不是波兰的华沙而是西班牙的"华沙"... http://www.pereportabella.com/ PerePortabella(b.1929,Barcelona)isaveteranSpanishfilmmakerwhosenarrativefeatures—richininterludes,plotdiversions,atmosphere,andunexpectedsynchroniesbetweensightandsound—limntheavant-gardeandexpandtheexpressivepotentialofcinema.Portabella,whobeganhiscinematic... 西班牙先锋导演PerePortabella的代表作之一,这可不是波兰的华沙而是西班牙的"华沙"... http://www.pereportabella.com/ PerePortabella(b.1929,Barcelona)isaveteranSpanishfilmmakerwhosenarrativefeatures—richininterludes,plotdiversions,atmosphere,andunexpectedsynchroniesbetweensightandsound—limntheavant-gardeandexpandtheexpressivepotentialofcinema.Portabella,whobeganhiscinematiccareerasaproduceroffictionfilmsimplicitlycriticalofGeneralFranciscoFranco,hadhispassportrevokedwhenLuisBuñuel'sViridiana(1961),whichhehelpedtomake,"embarrassed"SpainattheCannesFilmFestivalin1962.WhendemocracyreturnedtoSpain,PortabellaservedasasenatorintheCatalangovernment.However,throughouthisvariouscareers,Portabellacontinuedtomakecinema,investigatingmeaninginthemovingimageandflexingthenotionofgenre—particularlyforhorrorfilms,fantasyfilms,andthrillers. WarsawBridge.1990.Spain.DirectedbyPerePortabella.TheideaforWarsawBridge,alessconceptualfilmthanAccíoSantos,startedfromalineinanewspaper:"Thebodyofascubadiverwasfoundinaburntforest."PortabellaelaboratesnarrativefragmentsfromthiskernelinaprocedurethatrecallsthatoftheFrenchnouveauroman.MadeastheColdWarwasending,thefilmcritiquestheSpanishintelligentsia'sindifferencetopoliticalandhistoricalchange. WarsawBridgeisdated1989,theyearofthefalloftheBerlinWall.IfthepredominantlookinNocturno29wasthatoftheupperclassesinthesixties,inWarsawBridgewehaveshiningimagesofthenewintellectualsandtheamnesic,progressive,Europeanpoliticalclasses.Butbeneaththatsparklingsurfaceofspectacularsocio-culturaleventsandthefrivolouslifeinahappyEurope,liesthetensionofbrokenmemoriesandpersonalandhistoricalcataclysms.Filmedasmeticulouslyascontemporarycommercialcinema,WarsawBridgeshatterstheplotintoathousandfragmentsinaEuropeanlandscapebrokenbythereturnofHistory.ItisthereforenotstrangethattwoyearslaterGodardshouldbetheauthorofasiblingfilm,GermanyYear90NineZero,explicitlytheheirtoRossellini’sGermanyYearZeroin1947post-warEurope. Regardlessthisfilmisincrediblevisuallyandemotionally.DefinitelynotforthefanofHollywoodfilms,orevenindependentfilms,oractuallyanyfilmwithanytypeofstructurednarrative.Butifyouletthefilmtakeyouandsuspendandexpectationtherewardisveryworthwhile.