剧情：Vampir-CuadecucispossiblyakeyfilminunderstandingthetransitionintheSpanishfilmworldfromtheperiodofthe“newcinemas”(permittedbytheFrancogovernment)towardstheillegal,clandestineoropenlyantagonisticpracticesagainsttheFrancoregime.ItconsistsofshootingthefilmingofacommercialfilmCountDraculabyJesúsFranco. Portabellapracticestwotyp... (展开全部) Vampir-CuadecucispossiblyakeyfilminunderstandingthetransitionintheSpanishfilmworldfromtheperiodofthe“newcinemas”(permittedbytheFrancogovernment)towardstheillegal,clandestineoropenlyantagonisticpracticesagainsttheFrancoregime.ItconsistsofshootingthefilmingofacommercialfilmCountDraculabyJesúsFranco. Portabellapracticestwotyp... Vampir-CuadecucispossiblyakeyfilminunderstandingthetransitionintheSpanishfilmworldfromtheperiodofthe“newcinemas”(permittedbytheFrancogovernment)towardstheillegal,clandestineoropenlyantagonisticpracticesagainsttheFrancoregime.ItconsistsofshootingthefilmingofacommercialfilmCountDraculabyJesúsFranco. Portabellapracticestwotypesofviolenceonthestandardnarrative:hetotallyeliminatescolorandsubstitutesthesoundtrackwithalandscapeofimage-soundcollisionsbyCarlesSantos.Filmedprovocativelyin16mm.andwithsoundnegative,thetensionsbetweenblackandwhitefavorthestrange“fantasmaticmaterialism”ofthisrevealinganalysisoftheconstructionmechanismforthemagicindominantnarrativecinema,whichatthesametimeconstitutesaradicalinterventionintheSpanishcinematographicinstitution.